By Bernard Mendiburu

Learn how one can adapt your cinematography and creation abilities to this transforming into medium and join the movement.

Master the original technical standards of taking pictures 3D stereoscopic pictures. 3DTV and 3D Cinema defines the concept that of a pro 3D digicam procedure and describes what beneficial properties are required to make a profitable unit to maintain your construction on time table and on price range. you are going to the way to paintings with the advanced and software program structures, with a piece devoted to the categorical necessities of capturing for 3D cinema. 3D conversions, keying, and CG methods are analyzed, in addition to the fundamental staging, lighting fixtures, set dressing, framing, and digital camera circulate suggestions. The theoretical wisdom is complemented with real-world examples of 3D television and cinema productions which are analyzed by means of workforce contributors or producers.

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3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy

How one can adapt your cinematography and creation abilities to this starting to be medium and join the circulation. grasp the original technical necessities of capturing 3D stereoscopic pictures. 3DTV and 3D Cinema defines the idea that of a pro 3D digital camera approach and describes what positive aspects are required to make a winning unit to maintain your construction on time table and on finances.

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About Cameras, Optics, and Recorders We all started practicing stereoscopic imaging by putting two cameras side by side, often trying to match the human inter-pupillary distance of 65 mm. It soon became obvious that this 65 mm is meaningless, and what is actually important is the ratio between the IO and the camera-to-subject distances—the full equation involving the background, focal length, sensor size, screen width, and viewing distance. A seasoned 3DP (3D director of photography) adds light, haze, depth of field, music, and story.

Put them in a safe box, protected from dust and hard drops—and, while you’re at it, put a handful of anaglyph glasses in this save-the-day bag. They’ll make themselves handy someday. Special Case: Steady-Cam Rigs Steady-cam rigs are a specific breed of 3D rigs. The steady cam is an articulated arm mounted on a harness with a whole set of balancing weights and stabilizing springs; it allows the camera operator to walk freely while moving 41 42 3D TV and 3D Cinema the camera in virtually every position.

You should manually generate the Z-LUT every time a rig is assembled. That last point should have you raising your eyebrow. What does this mean? It means that if you take the very same set of equipment and rebuild the very same rig, you won’t end up with the very same results. First, assuming you can perfectly repeat procedures in movie and TV production is not such a safe bet. Second, we need to talk numbers here. You want to get to less than a couple of pixels of vertical disparity on your final image.

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